Мартин Эсслин - Театр абсурда

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Уже в конце 1950-х выражение "театр абсурда" превратилось в броское клише. Об этом Мартин Эсслин пишет на первой странице своей книги о новых путях театра. Этот фундаментальный труд, вышедший полвека назад и дополненный в последующих изданиях, актуален и сегодня. Театр абсурда противостоит некоммуникативному миру, в котором человек, оторван от традиционных религиозных и метафизических корней.
Труд Мартина Эсслина — научное изыскание и захватывающее чтение, классика жанра. Впервые переведенная на русский язык, книга предназначена практикам, теоретикам литературы и театра, студентам-гуманитариям, а также всем, кто интересуется современным искусством.
— Woyzeck, trans. by John Holmstrom, in Three German Plays,
Harmondsworth: Penguin Books, 1963 CRICHTON, kyle, The Marx Brothers, London: Heinemann, 1951 disher, willson, Clowns and Pantomimes, London: Constable, 1925 #9632;
grabbe, Christian dietrich, Werke, ed. Wukadinowic, 2 vols., Berlin: Bong, n.d. hazlitt, william, ‘The Indian jugglers’, Table Talk, London and New York: Everyman’s Library holzer, rudolf, Die Wiener Vorstadtbiihnen, Vienna: 1951 lea, к. м., Italian Popular Comedy. A Study in the Commedia delГArte, London: Oxford University Press, 1934
BIBLIOGRAPHY
macinnes, colin, ‘Wherefore does he why?’ (on Dan Leno), London: Spectator, 23 December i960 mckechnie, samuel, Popular Entertainment through the Ag(s, London: Sampson Low, n.d. nestroy, johann, Samtliche Werke, ed. Bruckner and Rommel, Vienna: Schroll, 15 vok, 1924-30. raimund, Ferdinand, Werke, ed. Castle, Leipzig: Hesse Becker, n.d.
reich, Hermann, Der Mimus, voL I (in two tomes) [no further volumes appeared], Berlin: Weidmann, 1903 tietzb-conrat, e., Du /аф and Jesters in Art, London: Phaidon,
1957
wood, j. hickory, Dan Leno, London: Methuen, 1905
Nonsense Poetry and Nonsense Plays
belloc, hilaire, Cautionary Verses, London: Duckworth, 1940 benayoon, r., Anthologie du Nonsense, Paris: Pauvert, 1957 breton, andrЈ, Anthologie de Г Humour Noir, Paris: Sagittaire, 1950 busch, wilhelm, Samtliche Werke, Gutersloh: Bertelsmann, 2 vok., n.d.
carroll, lewis, Complete Works, London: Nonesuch; New York: Random House, 1939 Cohen, j. м., Comic and Curious Verse, Harmondsworth: Penguin Books, 1952
cohen, j. м., More Comic and Curious Verse, Harmondsworth: Penguin Books, 1956 flaubert, gustavb, Dictionnaire des idies Refues (augmented with newly discovered entries), Paris: Aubier, 1951 lardner, ring Nonsense Plays
The Tridget of Griva, unpublished (extract in eldbr [see below]) Dinner Bridge, New York: New Republic, 20 July 1927; also in First and Last, New York: Scribner, 1934 I Gaspiri (The Upholsterers), Chicago Literary Times, 15 February 1924; also in What of It? New York: Scribner, 1925 Clemo-Uti/The Water Lilies, in What (fit? New York: Scribner, 1925
BIBLIOGRAPHY
Cora or Fun at the Spa, New York: Vanity Fair, June 1925 Quadroon. A Play in Four Pelts which May All Be Attended in One Day or Missed in a Group, The New Yorker, 19 December 1931 AbenddiAnniNouveau, New York: The Morning Telegraph, 1928 OnLardner
elder, donald, Ring Lardner, New York: Doubleday, 1956 lear, edward, The Complete Nonsense of Edward Lear, ed. Holbrook Jackson, London: Faber Faber, 1947 morgenstern, Christian, Alle Galgenlieder, Wiesbaden: Insel, 1950
— Das Mondschaf, Deutsch und englisch (English versions by A. E.
W. Eitzen), Wiesbaden: Insel, 1953 opie, iona and peter, The Oxford Dictionary of Nursery Rhymes, London: Oxford University Press, 1951
— The Lore and Language of Schoolchildren, London: Oxford
University Press, 1959 ringelnatz, joachim, Kinder-Verwirr-Buck, Berlin: Rowohlt, 1931
— Tumgedichte, Munich: Kurt Wolff, 1923
— KutteUDaddeldu, Berlin: Rowohlt, 1930
sewell, в., The Field of Nonsense, London: Chatto Windus, 1952
Dream Plays and Allegories
bidermann, jaeob, Cenodoxus der Doktor von Paris, in Deutsche Dichtung des Barock, ed. Edgar Hederer, Munich: Hanser, n.d. CAlder6n de la barca, pedro, Autos Sacramentales, voL III of Obras Completas, Madrid: Aguilar, 1945-52 eliade, mircea, Myths, Dreams and Mysteries, London: Harvill,
i960
gregor, Joseph, Das Spanische Welttheater, Vienna: Reichner, 1937 holberg, Comoediemt, ed. Bull, Kristiania: 1922-j honig, edwin, Dark Conceit. The Making of Allegory, Chicago: Northwestern University Press, 1959; London: Faber Faber,
i960
JOYCE, james, Stage adaptations of Ulysses
Ulysses in Nighttown, adapted by Maijorie Barkentin under the
BIBLIOGRAPHY
supervision of Padraic Colum, New York: Random House, Modem Library Paperbacks, 1958 Bloomsday, adapted by Alan MacClelland KAFKA, franz, Der Grujhvacher (dramatic fragment), in Beschreibung eines Kampfes, New York: Schocken, 1946 Kafka, Franz, adapted by gidb, andr6 and barrault, jban- louis, Le Proch, Paris: Gallimard, 1947 Franz Kafka du Procfcs au Chateau, special number of Cahiers de la Compagnie M. Renaud-J.-L. Barrault, no. 20, October 1957 lope de vbga, Obras Escogidas, 3 vols., Madrid: Aguilar, 1952-5, contains Lope’s principal Autos sacramentales madach, imre, Az Ember Tragidiija, Budapest: Franklin, n-d. Strindberg, august, Samlade Skrifier, 55 vols., Stockholm: Bonnier, 1911-21
— A Dream Play and The Ghost Sonata, in Six Plays of Strindberg,
trans. by E. Sprigge, New York: Doubleday (Anchor Books), 1955
Dadaism, Surrealism, Pataphysicians, and their Forerunners and Followers
APOLLINAIRE, GUILLAUMB
Les Mamelles de Tirdsias/Couleur du Temps, in CEuvres Poitiques, Paris: Pltiade, 1956 ARAGON, LOUIS L’Amoire it Glace un Beau Soir and Au Pied du Mur, in Le Libertinage, Paris: Gallimard, 1924 with brbton, andrЈ, Le Trisor des Jisuites, Brussels: Variitis, June 1929
ARTAUD, ANTONIN
CEuvres Completes, vols. I–XIV, Paris: Gallimard, 1956-^78 [further volumes in preparation]
Le TMAtre et son Double, Paris: Gallimard, 1938 (trans. by C. Richards, The Theatre and its Double, New York: Grove Press,
1958)
Lettres el Jean-Louis Barrault (with a study of Artaud’s theatre by Paul Arnold), Paris: Bordas, 1952 Arnold, PAUL study of Artaud’s theatre in Lettres A Jean- Louis Barrault [see above]
BIBLIOGRAPHY
Antonin Artaud et le Thidtre de Notre Temps, Paris: special issue of Cahiers de la Compagnie M. Renaud — J.-L. Barrault, nos. 22-3, May 1958 Antonin Artaud ou La Santi des Pontes, Jarnac: special number of La Tour du Feu, December 1959 bsslin, martin, Antonin Artaud, London: Fontana, 1976
BARLACH, ERNST
Das Dichterische Werk, Band I, Munich: Piper, 1956
BRECHT, BERTOLT
Stiicke, 14 vols., Frankfurt: Suhrkamp, 1954-67 COCTEAU, JBAN Les Mariis de la Tour Eiffel, in Theatre I, Paris: Gallimard, 1948 Parade and Le Bceuf surle Toit, in Nouveau Thidtre de Poche, Monaco: Editions du Rocher, i960 Orphie, Paris: Stock, 1927 Le Sang d’un Poite (film), Paris: Marin, 1948
CUMMINGS, E. E.
him in From the Modem Repertoire, Series Two, ed. Eric Bentley, Indiana University Press, 1957 bentley, eric, Notes to him, ibid. norman, Charles, The Magic Maker, New York: Macmillan, 1958
DADA
arp/huelsenbbck/tzara, Die Geburt des Dada, Zurich: Arche, 1957
mehring, walter, Berlin Dada, Zurich: Arche, 1959 huelsenbeck, richard, Mit Witz, Licht und Griitze, Wiesbaden: Limes, 1957 daumal, renЈ and gilbert-lecomte, roger, Petit Thidtre, Paris: College de Pataphysique, 1957
DESNOS, ROBERT
La Place de TEtoile, Antipobne, Rodez: Collection Humour, 1945 Domaine Publique (collected poems), Paris: Gallimard, 1953
berger, pierre, Robert Desnos (essay on Desnos with anthology of his work), Paris: Seghers, i960 (no. 16 in the series ‘Pofetes d’Aujourd’hui’)
Expressionismus. Literatur und Kunst, 1910–1923 (catalogue of an exhibition at the Schiller Museum, Marbach, West Germany, 8
BIBLIOGRAPHY
May-31 October 1961, ed. B. Zeller, containing a very full bibliography of Expressionism, with biographical notes on all important authors), Marbach: i960
FITZGERALD, F. SCOTT
The Vegetable or From President to Postman, New York: Scribner, 1923 mizener, Arthur, This Side of Paradise, London: Eyre Spottiswoode, 1951
GOLL, YVAN
Dichtungen, ed. Claire Goll, Neuwied: Luchterhand, i960, reprints Die Chaplinade, Die Unsterblichen, Zwei Uberdramen (1. Der Unsterbliche, 2. Der TJngestorbene), Melusine Methusalem, in Schrei und Bekenntnis. Expressionistisches Theater (anthology of Expressionist plays), ed. K. Otten, Neuwied: Luchterhand, 1959 romains, jules/brion, marcel/carmody, f./exner, r., Yuan Goll (anthology and critical essays), Paris: Seghers,
1956 (no. 50 in the series ‘PoStes d’Aujourd’hui *)
GOMBROWICZ, WITOLD
The Marriage, trans. by Louis Iribame, London: Calder Boyars, 1970
Princess Ivona, trans. by Krystyna Griffith and Catherine Robins, London: Calder Boyars, 1969 Operetta, trans. by Louis Iribame, London: Calder Boyars, 1971
JARRY, ALFRED
CEuvres Completes, Monte Carlo and Lausanne: 1948 Ubu Roi, Ubu Enchaini, Paralipombies d’LJbu, Questions de Thidtre, Les Minutes de Sable Memorial, Cisar-Antichrist, Poisies, L'Autre Alceste, Lausanne: Henri Kaeser, 1948 (colllection of all Ubuesque writings)
Tout Ubu (another collection of Ubuesque writings), Paris: Le Livre de Poche, 1962 Ubu Roi, trans. by Barbara Wright, in Four Modem French Comedies, New York: Capricorn Books, 1961 Ubu, Version pour la seine (acting edition of Ubu Roi and Ubu Enchaini adapted for performance as one play at the Theatre Nadonale Populaire), Paris: L’Arche, 1958 Gestes et Opinions du Docteur Faustroll, Paris: Fasquelle, 1955 (trans., New York: Evergreen Review, no. 13, i960, p. 131)
БИБЛИОГРАФИЯ
BIBLIOGRAPHY
KOKOSCHKA, OSKAR Schrijten 1907–1955, Munich: Langen, 1956
LAUTRiAMONT, COMTE DB (ISIDORE DUCASSe)
CEuvres Completes, Paris: Corti, 1946
LORCA, FBDBRICO GAHCfA
Obras Completas, Madrid: Aguilar, 1955
NADEAU, MAURICE Histoire du Surrialisme, Paris: Editions du Seuil, 1945 PICASSO, PABLO Le Disir Attrapi par la Queue, Paris: Messages П, 1944;also, in book form, Paris: Gallimard, 1949 (no. 23 of the collection ‘Metamorphoses’) (trans. by B. Frechtman, Desire Caught by the Tail, London: Rider, 1950) penrose, roland, Picasso, His Life and Work, London: Gollancz, 1955 pinthus, kurth Menschheitsdammerung (one of the first anthologies of Expressionist poetry), Berlin: Rowohlt, 1920; reissue (with new introduction and bibliographical material), Hamburg: Rowohlt, 1959
BADIGUET, RAYMOND
Les Pelicans, Piice en deux actes, in CEuvres Completes, vol. I, Paris: Club des Libraires de France, 1959
RIBEMONT-DESSAIGNES, GEORGES Thidtre, Paris: Gallimard, 1966 Diji Jadis (memoirs), Paris: Julliard, 1958
ROBICHEZ, J.
Le Symbolisme au Thidtre, Lugni — Роё et les Dibuts de FCEuvre, Paris: L’Arche, 1957
ROUSSEL, RAYMOND
L’Etoile au Front, Paris: Lemerre, 1925 La Poussibe de Soleils, Paris: Lemerre, 1927
rousselot, jean, Raymond Roussel et la Toute-Puissance du Langage, Paris: La Tour St Jacques, March-April 1957 heppenstall, rayner, Raymond Roussel, a critical guide, London: Calder Boyars, 1966
BIBLIOGRAPHY
SALACROU, ABMAND Surrealist playlets Pieces Lire: Les Trente TombesdeJudas, Histoire de Cirque, Paris: Les CEuvres Libres, no. 173, October i960
SHATTUCK, ROGER
The Banquet Years (containing outstanding studies of Apollinaire and Jarry), London: Faber Faber, 1959
SOEEL, WALTER H.
The Writer in Extremis: Expressionism in Twentieth-Century German Literature, Stanford University Press, 1959
STEIN, GERTRUDE
Four Saints in Three Acts, New York: Random House, 1934 Geography and Plays, Boston: Four Seas, 1922 Doctor Faustus Lights the Lights
In Savoy or Yes Is for a Very Young Man, London: Pushkin Press, 1946
TORMA, JULIBN
Coupures, Tragidie, sum de Lauma Lamer, Paris: Рёгои, 1926 Euphorismes, no publisher indicated, 1926
Le Bhrou, Drome en IVactes, Paris: College de Pataphysique, 1956 Hommage h Torma (biographical, bibliographical, and critical studies by various hands), Cahiers du College de Pataphysique, no. 7,1952
TZARA, TRISTAN La Premibe Aventure Cileste de M. Antipyrine, Zurich: Collection Dada, 1916
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